UV Direct-to-Object Printing · Reimagined

What if every effect happened in one pass?

Colour. Texture. Raised detail. Tactile finishes. Today most printers do these in separate jobs, with separate setups, separate handling and separate margins for error. There is now a technology that does all of it in a single automated pass. Here is what that changes.

Book a Demonstration
If you decorate products today, you already know where the time and money leak away.
01 · Speed

Multi-pass and multi-job kills throughput

Every additional pass or separate job is another setup, another registration, another wait. The clock runs while the machine sits idle between stages.

02 · Accuracy

Re-registration is where quality fails

Each time a piece is handled, re-jigged or run again, alignment drifts. Rejects, reprints and scrapped substrate are the hidden tax on complex work.

03 · Cost

Specialist effects mean specialist outlay

Metallic inks, tooling, outsourced finishing. Premium effects usually carry premium cost and complexity, so you either absorb it or decline the work.

04 · Capability

Some jobs you simply turn away

Tactile, raised, Braille, gold-effect, full-colour combined work. If the equipment cannot do it in-house, the enquiry goes to someone whose can.

BEC1GO in action — Braille, emboss and full colour in a single pass
There is a different way to do this

One technology resolves all four. In a single pass.

Full colour, embossed texture up to 3mm, gold-effect finishes without metallic ink, and ADA-compliant Braille — built together, automatically, in one unattended print cycle. No re-registration. No separate jobs. No outsourced finishing. No specialist inks.

The world’s first technology to do this is called
BEC1GO™
Braille · Emboss · Colour · in 1 · GO — by artisJet, powered by the FREEBIRD™ engine
How It Works

Three innovations. One engine. Zero added complexity for you.

The FREEBIRD engine handles the difficult part internally. The operator supplies a standard artwork file. The printer does the rest.

01

Synchronised precision

Ultra-precise control places gold effects, compliant Braille dots and 3D structural elements with ±1µm positional accuracy, every time, in the same cycle.

02

Light-varnish finishing

Luxurious metallic and gold finishes are created through a light, ink and varnish synergy using only CMYK, white and varnish. No metallic ink to buy or manage.

03

Layered 3D texturing

Tactile depth up to 3mm: sharp embossed edges, raised logos and ADA-compliant Braille, all constructed within the same print pass.

The Honest Comparison

No other printer does all of this in one pass.

Capability matters most when it changes what you can quote for and how fast you can deliver it.

CapabilityBEC1GO™Typical multi-pass UVConventional DTO
Full colour printYesYesYes
Embossed / raised textureYes · up to 3mmMulti-passLimited
ADA-compliant BrailleYes · single passSlow, separate workflowNo
Gold effect, no metallic inkYesNoNo
All effects in one passYesSeparate jobsNo
360° rotary capabilityYesOptional, limitedVaries
Gold Edison Award recognisedYes · 2026 GoldNoNo

Independently recognised: BEC1GO™ 3-in-1 Print Technology won Gold at the 2026 Edison Awards in Commercial Technology. Verify the official record →

Comparison reflects typical platform capability. Specific competitor configurations vary; claims confirmed with artisJet Europe before publication.

aJ artisJet Print Reimagined
Finished output close-up · interim illustration, real macro photography to follow
Easier, Not Harder

Your customer supplies one file. That is the whole change.

A common assumption is that more capability means more complexity for the operator and the customer. With BEC1GO the opposite is true.

There is no requirement to prepare separate files for white, varnish or emboss channels. The RIP manages channel separation and layer sequencing internally. The customer supplies a standard artwork file exactly as they would for an ordinary colour print, and the printer produces the complete result.

  • One artwork file — TIFF or PDF preferred, no separate channel files needed
  • Standard CMYK preparation, the same discipline as any quality print job
  • White, varnish, emboss and Braille configured by the operator in the RIP
  • One unattended pass — no jig changes or re-registration mid-job
  • Vector-origin logos and text exported to PDF for the sharpest tactile edges

The difference is obvious the moment you watch it.

Describing single-pass printing only gets you so far. Bring a product, watch BEC1GO build colour, texture and tactile detail in one pass, and judge it for yourself.

Questions first? hello@opusuk.co.uk